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Pierre de Beaumarchais : ウィキペディア英語版
Pierre Beaumarchais

Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May〔He died during the evening of 17–18 May (); the date 18 May is most frequently seen in sources.〕 1799) was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist, financier, and revolutionary (both French and American).
Born a provincial watchmaker's son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor and music teacher. He made a number of important business and social contacts, played various roles as a diplomat and spy, and had earned a considerable fortune before a series of costly court battles jeopardized his reputation.
An early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and financial assistance to the rebels in the years before France's formal entry into the war in 1778. He later struggled to recover money he had personally invested in the scheme. Beaumarchais was also a participant in the early stages of the French Revolution. He is probably best known, however, for his theatrical works, especially the three Figaro plays.
==Early life==
Beaumarchais was born Pierre-Augustin Caron in the Rue Saint-Denis, Paris on 24 January 1732.〔Lever p.3-4〕 He was the only boy among the six surviving children of André-Charles Caron, a watchmaker from Meaux. The family had previously been Huguenots, but had converted to Roman Catholicism in the wake of the revocation of the Edict of Nantes and the increased persecution of Protestants that followed.〔 The family was comfortably middle-class and Beaumarchais had a peaceful and happy childhood. As the only son, he was spoiled by his parents and sisters. He took an interest in music and played several instruments.〔Lever p.4〕 Though born a Catholic, Beaumarchais retained a sympathy for Protestants and would campaign throughout his life for their civil rights.〔Lever p.5〕
From the age of ten, Beaumarchais had some schooling at a "country school" where he learned some Latin.〔Lever p6〕 Two years later, Beaumarchais left school at twelve to work as an apprentice under his father and learn the art of watchmaking. He may have used his own experiences during these years as the inspiration for the character of Cherubino when he wrote the ''Marriage of Figaro''.〔Lever p.6〕 He generally neglected his work, and at one point was evicted by his father, only to be later allowed back after apologising for his poor behaviour.〔Lever p.6-7〕
At the time, pocket watches were commonly unreliable for timekeeping and were worn more as fashion accessories. In response to this, Beaumarchais spent nearly a year researching improvements.〔Lever p.7〕 In July 1753, at the age of twenty one, he invented an escapement for watches that allowed them to be made substantially more accurate and compact.〔Hugh, Thomas. ''Beaumarchais in Seville: in intermezzo''. Yale University Press. 2007. pg 7〕 The first man to take an interest in this new invention was Jean-André Lepaute, the royal clockmaker in France. If there was a clock chiming in the wealthy homes of Paris, you can bet Lepaute built it himself. Lepaute had been a mentor to Beaumarchais after discovering the boy’s talent in a chance encounter. He encouraged him as he worked on the new invention, earned his trust, and promptly stole the idea for himself. You can imagine Beaumarchais’ surprise when he read in the September issue of Le Mercure de France that M. Lepaute had just invented the most wonderful mechanism for a more portable clock. Beaumarchais was enraged. “C’est normal,” said his father, “C’est comme ca.” It’s normal for the upper class to step on those beneath them. Well, Beaumarchais did not want any of that life. He wrote a strongly worded letter to that same newspaper defending the invention as his own and urging the Royal Academy of Sciences to see the proof for themselves. “In the interests of truth and my reputation,” he says, “I cannot let such an infidelity go by in silence and must claim as mine the invention of this device." After further examination, the Academy indeed ruled that the mechanism was his and not Lepaute’s. The public had just watched this young nobody take down the biggest clockmaker in Europe. Beaumarchais had become a celebrity overnight. One of his greatest feats was a watch mounted on a ring, made for Madame de Pompadour, a mistress of Louis XV. The affair first brought Beaumarchais to national attention and introduced him to the royal court at Versailles Louis XV was impressed with Beaumarchais’s skill and audacity, and hastily hired him as the court's royal watchmaker.

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